WOLFORD

Imagine a late night.

Everything is dark. You’re on the grass. There’s a concert stage in front of you. The lights turn on and Mick Jagger starts his syncopated dance. That’s the scenario that you always find in Simone Battistoni’s cinematic vision.

One story to another, you can either discover the elegant fan standing in the music flow in black and white arri atmosphere or the protagonist moving fast in flashy lights and colours.

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